Do you wonder why we wandered to England? Well, on Saturday May 13 we are going to have a gathering at the Tuckenhay Mill to celebrate the completion of our book The Tuckenhay Mill: People and Paper.
Click to see link to event! |
How did two American book artists come to be involved in such a project? Peter will tell the story:
There was a commercial handmade paper mill in Tuckenhay, near Totnes in Devon
England. Paper was made there by hand continuously from the early 1800s until
the mill went bankrupt in 1970. As a self-taught hand papermaker in the 1980s I wanted
to know how apprentice-trained hand papermakers had made paper, specifically I wanted to learn the
exact motions the vatman used when dipping the mould thru the water. This
desire circuitously led me to Tuckenhay where, in 1988, I met Cyril Finn, who
had apprenticed and then worked as a hand papermaker at the Tuckenhay paper
mill. I recorded him, his wife Joyce, and his half-sister Kitty Cox, as they
reminisced about their lives working in the mill.
They introduced me to other
retired papermakers from the Tuckenhay Mill, and in 1988, 1990, and 1994 Donna
and I returned to England and recorded their stories too. When the mill went bankrupt, the owner, who was also a solicitor, was so bitter about it that
he had the workers scrap all the metal equipment and burn everything so
that no one could profit from his loss. Respecting his wishes, perhaps fearing
reprisal, all the people we interviewed made us promise not to publish anything
until the mill owner had died. In 2007, Kitty’s grandson, Steve Cox, contacted
us because he was building a historical website for the mill. He offered to help transcribe the interviews, which because of the accents and poor recordings were almost unintelligible. We considered reviving the
project, however, found the mill’s owner was still alive, and so had to
let the project continue to gather dust. In 2013 the time was finally right. One of the University of Iowa's graduate students who who specialized in hand papermaking visited our studio, surveyed what we had collected, and saw it was valuable primary source
material in a field where few historians had worked. She encouraged us
to publish the interviews. This time we found the mill’s owner had passed away, so we were free to proceed.
Left to right: Kitty, Peter, Ray Tomasso, Carol Herd, Gillian Spires, Cyril and Joyce Finn |
The Tuckenhay Mill (from the road to the millpond) date unknown. Photo courtesy of this website. |
I was really just lucky to collect these papermakers' stories. I didn’t mean to. My initial goal was simply to learn how to improve my own papermaking. I just wanted to watch Cyril work
and that way learn how to properly perform the vatman’s shake. But as I spoke with the retired papermakers I found I wanted to know more about their lives and growing up working in the mill.
I was not trained as an investigative reporter and did not know how to conduct
an interview properly. I did not always speak slowly and clearly. When I became
interested in another line of questioning, I would cut off their responses in
mid-sentence. Sometimes there were two or three people talking at the same
time. The results, when transcribed, were choppy and hard to follow. To resolve
these problems, for the final text we decided to remove my voice and turn the interviews into first
person stories. First we sorted the transcriptions by speaker, then by the subject, then we rewrote the information integrating my questions into
the replies, merging what was duplicated, and editing what was left to create a
first person story for each of the eight people we interviewed.
Those stories led to the creation of a finepress artists’ book titled The Tuckenhay Mill: People and Paper. For us it is a
reliquary, holding stories, audio and video recordings, and bits and pieces of
handmade paper. The interviews are included as a digitally printed book titled:
They Made the Paper at Tuckenhay Mill, which gives a short history of the
mill, then tells my story of meeting Cyril and recording the interviews, and
finally presents edited versions of the papermakers’ stories from the
interviews. A flash drive holds the original audio recordings and complete
transcriptions allowing a scholar to hear and read exactly what the papermakers
said. A video recording of Cyril making paper at Wookey Hole is also on the
flash drive, to help the reader form a better picture of the equipment and
process the papermakers are talking about in the interviews. Finally the paper
samples are housed in a folder, placed there give the reader a tactile way to understand the raw material.The Tuckenhay Mill: People and Paper |
The Tuckenhay Mill: People and Paper |
Friends, if you would like to read more, we are posting little snippets on our Facebook page: Wandering Book Artists. We are trying to do this daily when we are on the road. Check it out!
4 comments:
What a wonderful story about a wonderful book. Thanks, Peter and Donna.
Wow, now that is a coincidence to beat all spooky coincidences! I have recently moved to Norfolk (in the UK) and have a friend staying. We are both 'arty/crafty' people and were talking about various things, including papermaking (I've 'dabbled' in lots of hobbies in the past) I was telling my friend about a course I'd been on in Devon with a lady whose name I couldn't recall, who made paper from NZ flax that she grew. I went into my sewing room and found the papers I'd made (a feat in itself given the amount of stuff I have, plus the fact that I only moved in September.
Anyway, amongst the delicate papers I made on the course, was a printed sheet of instructions, with the name Gillian Spires at the bottom - so that was obviously the name of the lady who ran the course.
I searched on the Internet to see if I could find out if she is still working, and found just a few references to her, dating back to 1994, and the only current reference was your blog - written yesterday!
I ŵonder, is Gillian Spires still around, and is she still papermaking?
Sorry for the rambling, long winded story, but it was just so odd how this unfolded - small world or what?!? Gill
My great grandfather and grandad worked here. They were papermakers in Kent but moved down to Devon in the late 1800s. There are pictures with my grandfather on the cover of the books.
Well Gill, if you're still around, I have just given a dear friend a piece of paper art produced by Gillian Spires. I wonder what has become of her? We followed Gillian's exploration of paper making in Myanmar (Burma) She wrote regularly to us and we published her stories of the trip in our business to business magazine Paper Focus. My family visited her home where she showed my daughter to make some hand sheets. And to read of the existence of Adventures of the Wandering Book Artists. I must find out more !
John (Watson) chair of trustees at Frogmore Paper Mill visitor centre Hemel Hempstead
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